who we are
The Video Agency is a passionate venture led by the dynamic husband-and-wife team, Nik and Jaime Green. Together, they handle every project with a personal touch, ensuring that clients receive dedicated attention and care from start to finish. Whether they’re working on a shoot in a cozy corner of North America or a bustling city across the globe, Nik and Jaime are always hands-on, making sure each project reflects their commitment to excellence.
When they're not busy with The Video Agency, Nik and Jaime love exploring the world through their documentary work, capturing stories and experiences from all corners of the globe.
Supported by a talented network of creatives, The Video Agency is able to assemble versatile video production teams tailored to each project’s needs. This local expertise helps foster connections within the communities we work in, while our core team in Los Angeles ensures seamless continuity in both pre-production and post-production. With us, you’re not just getting a service; you’re partnering with a dedicated team that values creativity and personal connection at every stage of your project.
After all, your video is our video!
Nik
Award Winning Director
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Nik is an Award Winning Video Content Producer + Cinematographer specialising in automotive and luxury brands.
After working in small business, journalism and photography, Nik found the video industry to be a perfect place to apply his skills.
This ranges from being a graduate of Vancouver Film School and his previous entrepreneurial endeavours.
Jaime
Award Winning Producer
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Jaime is an Award Winning Video Editor + Producer with thousands of commercial videos to her credit.
Jaime applies her skills to both Commercial Spots and Nature Documentaries.
A background in Equestrian sports gave her the discipline that she applies to her Producing to ensure companies get well crafted stories each and every time.
NICKELBACK TO THE FUTURE
When rock gods Nickelback call needing a 80’s themed performance for Kelly Clarkson, we get all hands on deck. This wonderful collaboration with the Canadian legends was a dream shoot.
From the common love of 80’s themes to a “why not?” attitude that spread across our teams, this project featured some very memorable moments: A rapidfire pace of shooting , sharing resources with Ryan Reynold’s Maximum Effort crew in a shared space, and a steaming hot DeLorean entry that stopped everyone dead in their tracks were all highlights of Nickelback To The Future.
NICKELBACK
Those Days
A GRAND TOUR
The influence of the original Top Gear and The Grand Tour can be seen throughout our work and even our private lives here within The Video Agency team. Before The Grand Tour, we had been recommended when Top Gear was filming in the Canadian Rockies. Sadly, due to some paparazzi interference, we couldn’t participate. Fast forward to a couple of years later and the new incarnation of the Top Gear show comes knocking early one morning. “We need you and your car,”
Green called lifelong friend and frequent collaborator Edan Marshall. What followed was a meta like journey to assist the hosts Jeremy Clarkson, James May and Richard Hammond largely by way of a meta, 1000+ mile road trip to locate key missing production elements and ensure the shoot could continue with the GT core crew.
Jump ahead another couple of months, Green and Marshall found themselves at a live taping on Jeremy Clarkson’s farm as guests of the show. And yes, they watched their own episode. Many, many, many times.
A grand tour with
The Grand Tour
LEWIS HAMILTON
When we were initially contacted to work with Lewis, we found ourselves barely able to hear the phone conversation as we were in the thick of Pike’s Market in Seattle. For the majority of the call, our excitement was all around the fact that we would be filming with Surfing God, Laird Hamilton.
The mention of Petronas however had Director Nik Green do a literal double take when he realized the magnitude of the upcoming shoot in Austin, Texas. As a driving fanatic, son of two British born parents, and Grandchild of a British Racing Journalist, the call gave Green a full circle, moment.
“It was a surreal moment that made me realize how generational interests can evolve and stack upon one another,”